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2023.03.21
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1 ‘¹ÂÁö¾öÇÑ¹Ì »ïû’ °Ç¹° Àü°æ. ‘¹°ÀÇ Á¤¿ø’À» Á߽ɿ¡ µÎ°í 3°³ µ¿ÀÌ ±³Â÷ÇÑ´Ù. ¨Ï±èÀç°æ 2 ´º¹Ìµð¾î ¹× ¿µ»ó Àü½Ã°¡ °¡´ÉÇÑ ÁöÇÏÀÇ ¸ÖƼȦ. ¨Ï±èÀç°æ 3 ¸ÖƼȦ¿¡´Â 7m ³ôÀÌÀÇ º®°ú ÷´Ü À½Çâ¼³ºñ°¡ ÀÚ¸®ÇÑ´Ù. ¨Ï±èÀç°æ 4 ‘¹°ÀÇ Á¤¿ø’À» °¡·ÎÁö¸£´Â Åë·Î°¡ °Ç¹°À» ¿¬°áÇÑ´Ù. ¨Ï±èÀç°æ

 

1 ÀÌÇü·Ï, Àü¿ø, 1934, Gelatin silver print, 14.5×22.7cm, ¹ÂÁö¾öÇÑ¹Ì ¼ÒÀå ¨ÏÀ̸í¹Î 2 ±èÁ¾Çå, °ÝÁ¤, 1965, Gelatin silver print, 97×66cm, °³ÀÎ ¼ÒÀå ¨Ï±è¼±¹Ì 3 ¹è»óÇÏ, ¼ö³à ¼ö»ê³ª, 1962, Gelatin silver print, 57×40.3cm, °³ÀÎ ¼ÒÀå ¨Ï¹èÀåȯ

 

 

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Museum Hanmi

2003³â °³°ü ÀÌ·¡ Çѱ¹ »çÁø¿¹¼úÀÇ ¹ßÀü°ú È®Àå¿¡ Èû½á¿Â »çÁø Àü¹® ¹Ì¼ú°ü, Çѹ̻çÁø¹Ì¼ú°üÀÌ ¹ÂÁö¾öÇѹ̶ó´Â À̸§À¸·Î µ¹¾Æ¿Ô´Ù. ¼­¿ï »ïûµ¿¿¡ µÕÁö¸¦ Æ° ‘¹ÂÁö¾öÇÑ¹Ì »ïû’Àº ¹ÎÇö½Ä °ÇÃà°¡°¡ ¼³°èÇßÀ¸¸ç, Àü½Ã½Ç°ú ¸ÖƼȦÀ» ºñ·ÔÇØ ÀÛÇ° º¸Á¸¿¡ ƯȭµÈ Àú¿Â ¼öÀå°í µîÀ¸·Î ±¸¼ºµÆ´Ù. ½ÅÃà ±â³ä °³°üÀüÀ¸·Î 50¿© ³â »çÁø ¿ª»ç¸¦ µ¹¾Æº¸´Â Àü½Ã <Çѱ¹»çÁø»ç ÀλçÀÌµå ¾Æ¿ô, 1929~1982>°¡ ÇÑâÀÌ´Ù. Èæ¹é »çÁø ¼Ó¿¡¼­ ´ç´ëÀÇ »çÁø ¹ÌÇаú ±â¼úÀû ¿ä¼Ò´Â ¹°·Ð »ý»ýÇÑ »ýÈ°»ó°ú Çö´ë»çÀÇ ´Ü¸éÀ» ¿³º¼ ¼ö ÀÖ´Ù. Àü½Ã´Â 4¿ù 16ÀϱîÁö °è¼ÓµÈ´Ù. www.instagram.com/museumhanmi

 

 

 

1 ‘¿µ±¹ »çÁø ¼¾ÅÍ’ÀÇ ÀÔ±¸ ©Centre for British Photography 2 ±âȹÀü Áß ÇϳªÀÎ ‘The English at Home’ Àü½Ã½Ç dz°æ. 3 Sarah Maple, Self portrait with Pocket Square, 2021, Lambda Matt Fuji crystal archive paper, 96×76cm ©Sarah Maple 4 Jo Spence, Photo Therapy: Libido Uprising (part 1) c.1948 (hoover), 1989, Vintage C-type print, 15×10cm ©Jo Spence 5 Colin Jones, Children playing in front of a corner shop, Benwell, Newcastle-upon-Tyne, 1963, Vintage gelatin silver print, 21.5×30.5cm ©Colin Jones 6 Natasha Caruana, Fairytale for sale no 66, 2011-13 ©Natasha Caruana

 

¿µ±¹ »çÁøÀÇ ¾îÁ¦¿Í ¿À´Ã
Centre For British Photography

Áö³­ 1¿ù ·±´ø¿¡ ¹®À» ¿¬ ‘¿µ±¹ »çÁø ¼¾ÅÍ’´Â ¿µ±¹ »çÁø»çÀÇ °ú°Å¿Í ÇöÀ縦 ¸Á¶óÇÏ´Â ¹Ì¼ú°üÀÌ´Ù. ¿µ±¹ÀÇ »çÁø¿¹¼úÀ» Áö¿øÇÏ´Â ÇÏÀ̸¸ Àç´Ü(The Hyman Foundation)ÀÌ ¼³¸³ÇÑ °÷À¸·Î, ÇÏÀ̸¸ Ä÷º¼ÇÀÇ ¹æ´ëÇÑ ÀÛÇ°µéÀÌ Àü½ÃÀåÀ» °¡µæ ä¿î´Ù. °³°üÀ» ¸Â¾Æ 2°³ÀÇ ±âȹÀü°ú 5°³ÀÇ Æ÷Ä¿½º ¼½¼ÇÀÌ 4¿ù 30ÀϱîÁö ¿­¸°´Ù. 20¼¼±â ¿µ±¹ °¡Á¤ÀÇ ¸ð½ÀÀ» ºñÃß´Â <À×±Û¸®½Ã ¾Ü Ȩ(The English at Home)>°ú ¿©¼º ¿¹¼ú°¡µéÀÇ ÀÚÈ­»ó »çÁøÀ» ¸ðÀº <Çìµå½ºÆ®·Õ: ¿©¼º°ú ±Ç´É°¨(Headstrong: Women and Empowerment)>Àº »çÁø¿¹¼úÀÇ ÀüÅëÀû ¿ªÇÒ°ú Çö´ëÀû °¡´É¼ºÀ» ¸ðµÎ Àϱú¿î´Ù. 
www.britishphotography.org

 

 

 

 

1 Pamela Singh, Air Force Pilot Training Course, Hyderabad, Telangana, 1995, Silver gelatin print ©MAP Museum of Art and Photography 2 Fazal Sheikh, Chapala Sundari Dhar (Moksha series), Vrindavan, Uttar Pradesh, 2005, Silver gelatin print ©MAP Museum of Art and Photography 3 º¬°¥·ç·çÀÇ Á߽ɺΠī½ºÅõ¸£¹Ù ·Îµå¿¡ À§Ä¡ÇÑ ‘¾ÆÆ®&»çÁø ¹Ú¹°°ü’. Courtesy Museum of Art & Photography 4 Jyoti Bhatt, Self-portrait, 1967, Silver gelatin print ©Jyoti Bhatt. Courtesy Museum of Art & Photography 5 Jyoti Bhatt, A Woman with Tattoos Stands in Front of a Mural in a Rajwar House (Sarguja, Chattisgarh), 1983, Silver gelatin print ©Jyoti Bhatt. Courtesy Museum of Art & Photography

 

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Museum of Art & Photography

ÀεµÀÇ ½Ç¸®Äܹ븮¶ó ºÒ¸®´Â ³²ºÎ µµ½Ã º¬°¥·ç·ç¿¡ 5Ãþ ±Ô¸ðÀÇ ‘¾ÆÆ®&»çÁø ¹Ú¹°°ü’ÀÌ Áö³­ 2¿ù ¸ð½ÀÀ» µå·¯³Â´Ù. Àεµ °í´ë ¹Ì¼úºÎÅÍ Çö´ë »çÁø¿¡ À̸£±â±îÁö, À¯¸í ¼öÁý°¡ ¾ÆºñÆ÷´Ù¸£(Abhishek Poddar)ÀÇ Ä÷º¼ÇÀ» ¸ð¾ÆµÐ °÷ÀÌ´Ù. ´ëÇ¥ Àü½ÃÀÎ <°¡½ÃÀûÀÎ/ºñ°¡½ÃÀûÀÎ(Visible/Invisible)>Àº 10¼¼±âºÎÅÍ ÇöÀç±îÁö Àεµ ¹Ì¼ú¿¡¼­ ¿©¼ºÀÌ µîÀåÇÏ´Â ÀÛÇ° 130Á¡À» ¼Ò°³Çϸç, 3³â°£ ÁøÇàµÈ´Ù. È­°¡ÀÌÀÚ Æ÷Åä±×·¡ÆÛ Á¶Æ¼ ¹ÙÆ®(Jyoti Bhatt)ÀÇ »çÁø ÀÛÇ°À¸·Î ±¸¼ºÇÑ <ŸÀÓ ¾Øµå ŸÀÓ ¾î°ÔÀÎ(Time and Time Again)>Àº 7¿ù±îÁö Àεµ ½Ã°ñÀÇ Á¤°æÀ» ÆîÃÄ º¸ÀδÙ. www.map-india.org 

 

 

 

 

 

 

 

 

 

 

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